Synchromism was an art movement founded in 1912 by American artists Stanton Macdonald-Wright (1890–1973) and Morgan Russell (1886–1953). Their abstract "synchromies," based on an approach to painting that analogized color to music, were …

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By layering and juxtaposing different colored planes, Synchromist paintings create space through a back and forth movement, or a push-pull, of chromatic forms. Synchromists often thought of painting in musical terms. Arranging colors in a composition …

As one of the founders of Synchromism (with Morgan Russell), Stanton Macdonald-Wright developed the first American modernist style of painting. His radical embrace of abstraction and reliance on color and form to create movement and meaning, places him among the pioneers of non-objective painting.

Synchromism, art movement begun by American painters Morgan Russell and Stanton Macdonald-Wright in 1913–14 that focused on colour. At the time, the two artists were living in Paris, painting abstract works they called “synchromies.”

In 1911, Morgan Russell met fellow American artist Stanton Macdonald-Wright while they were both living in Paris. Together, they developed Synchromism: an abstract style that probes deep into color theory. Synchromy in Orange: To Form is considered a pinnacle work of the movement.

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Synchromist works combined the fractured forms of Cubism with a new emphasis on color, becoming the first American abstract movement to gain international attention. American Regionalist Thomas Hart Benton and Ashcan painter Arthur Bowen Davies both participated in this short-lived movement, which lasted from 1913 until 1919.

2021年5月14日 · Synchromism reacted against the subdued palette of Cubism and shared with Futurism origins in capturing movement in the static nature of the plastic arts. French painters, Robert and Sonia Delaunay were also developing abstract concepts through color. Orphism, the term coined by Guillaume Apollinaire in 1912, described these works.

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