About Nathalia Bell Public Engagement CV Following (0) Moving Image. Cathedral of Cinema. Ziggurettes. Vindauga. Film. Escape From Disorder. film archive. Celluloid Cradle. Mercury Eyes. Commissions. Three Pilots One War. Decimo Andar.

Vindauga (Wind Eye/Window) is a poetic visual essay that envisions an ancient world where physical matter was ‘mater’ as in mother. The film explores the theory of the evolution of consciousness from the ancient world imbued with myth to our modern age plagued with an underlying sense of apathy and meaninglessness.

Nathalia Bell is an artist filmmaker and writer who creates poetic-essay films with existential themes revolving around the human condition. Believing originality derives from origins, she draws from a wide frame of references in history, literature, philosophy and film history.

Nathalia Bell is a film artist and scholar formerly part of the Morphe community, now located in California. Bell’s films create ruminative spaces that juxtapose the sublime and profane.

219 Followers, 77 Following, 26 Posts - Nathalia Bell (@nathalia.bell) on Instagram: "Artist filmmaker & writer"

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PUBLIC ENGAGEMENT & TALKS 2024/ 15th FILM-PHILOSOPHY CONFERENCE, Presenter, organised by the University of Edinburgh, University of British Columbia, the...

Nathalia Bell Nathalia Bell is a Canadian-German film artist and writer with an MA in Experimental Film from Kingston School of Art. Her film work has featured internationally in conferences, festivals and venues, including at the BFI and Imperial War Museum.

About Nathalia Bell Public Engagement CV Following (0) Cathedral of Cinema, the cathedral as an archive of human history, an ark of time; where the bricks and pillars are living, made up of the saints and human stories. The cathedral, the original dark chamber of the camera obscura, sculpts light, creating a space of internal illumination.

Nathalia Bell is a film artist and scholar formerly part of the Morphe community, now located in California. Bell’s films create ruminative spaces that juxtapose the sublime and profane.