Beyond any doubt, Menander’s plays are mainstream New Comedy, and for later writers he was the definitive master of the form, but the process of give-and-take that constitutes every artist’s ...

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Menander is known to have studied under Theophrastus, the successor of Aristotle as leader of the Peripatetic School, adapting what he learned about tragedy for his comedies.

Menander seems also to have accepted Aristotle’s dictum that plot is the soul of a drama. Like many truisms about ancient men of letters, this comes in the form of an anecdote.

CRITICISM Arnott, W. G. “Menander, Qui Vitae Ostendit Vitam …” Greece & Rome n.s. 2, 15, no. 1 (April 1968): 1-17.. Discusses the impact of discoveries of new texts and fragments, and ...

Menander's play had opened with a monologue of the old man; Terence has turned this into a dialogue by adding Sosia, who is a 'protatic' character—that is, he will not appear again after this ...

Criticism on Menander. eNotes.com will help you with any book or any question. Our summaries and analyses are written by experts, and your questions are answered by real teachers.

Julius Caesar, using Menander as his comic yardstick, found Terence only half as good. 10 Plutarch, who wrote an essay comparing him with Aristophanes, asked why anyone would go to the theatre ...

Menander also resolves the class issue in Grouch by displacing it onto the theme of the misanthrope's idiosyncratic unsociability. The blame for the tension in the drama falls squarely on Cnemo ...

SOURCE: Handley, E. W. “Menander and the Dyskolos.” In The “Dyskolos” of Menander, pp. 3-74. Cambridge, MA: Harvard University Press, 1965. [In the following excerpt, Handley discusses how ...