Grand Hotel is a 1932 American pre-Code drama film directed by Edmund Goulding and produced by Metro-Goldwyn-Mayer. The screenplay by William A. Drake is based on the 1930 play by Drake, who had adapted it from the 1929 novel Menschen im Hotel by Vicki Baum. MGM remade the film as Week-End at the Waldorf in 1945.

The following is a list of films originally produced and/or distributed theatrically by Metro-Goldwyn-Mayer and released in the 1930s. What! No Beer? Clear All Wires! Viva Villa! Ah, Wilderness! A Hal Roach Comedy - produced as a feature but released …

2024年4月1日 · 1932 MGM logo with Coffee. Don't be afraid of the MGM lion. He's not going to bite you.

Vicky Baum's novel "Menschen I'm Hotel" serves as the basis for this 1932 film that was a vehicle for Greta Garbo. "Grand Hotel", as directed by Edmund Golding, was a magnificent film that had a lot of first class stars of the era in prominent roles.

Freaks is a 1932 pre-Code MGM horror movie directed by Tod Browning, which was famously banned for using real sideshow 'freak' performers in its cast.

Grand Hotel (1932) remains a classic masterpiece as the first all-star Hollywood epic with many high-powered stars of the early 1930s. The classic MGM film - a pet project of MGM's production head Irving Thalberg ("Boy Wonder") was directed by Edmund Goulding who had acquired the nickname "Lion Tamer" for his ability to deal with many ...

Child's Play; Metro-Goldwyn-Mayer Movie In-Credit Closing Variants; The Apprentice (British TV series) Metro-Goldwyn-Mayer Movie Opening Variants; Val Kilmer

The Captain and the Kids; A Day at the Beach; The Captain's Christmas; Cleaning House; The Pygmy Hunt; Petunia Natural Park; Mama's New Hat

2018年12月7日 · Taken from the little rascals short "the pooch". Please note that it is the final year to have the 2nd version of the MGM Lion roar when it was first used in...

"Grand Hotel" -- with its all-star cast and decidedly "adult" themes, as well as its Best Picture publicity -- decisively promoted Joan, up until 1932 a star primarily among younger United States filmgoers after the success of 1928's "Our Dancing Daughters," to superstar status among every segment of both US and international audiences.