Jing Hao (Chinese: 荆浩; Wade–Giles: Ching Hao, also known as Hongguzi) (c. 855–915) [1] was a Chinese landscape painter and art theorist of the Five Dynasties and Ten Kingdoms period in Northern China.

Jing Hao (flourished 910–950, Qinshui, Shanxi province, China) was an important landscape painter and essayist of the Five Dynasties (907–960) period. Jing spent much of his life in retirement as a farmer in the Taihang Mountains of Shanxi province.

2024年2月4日 · Jing Hao (荆浩 [Jīng Hào]), courtesy name Haoran, was from Henei (today’s Qinyang, Henan Province). He lived during the late Tang dynasty (618 – 907 AD) and the early Five Dynasties and Ten Kingdoms period (907 – 979 AD) (often called the Five Dynasties period for short). He worked as a painter for the short-lived Liang dynasty (907 – 923).

2015年2月8日 · In his art, Jing Hao followed the court painters of the Tang dynasty (618–907) in emphasizing the singular grandeur of the landscape. There are two paintings attributed to him: Travelers in a Snowy Landscape and Mount Kuanglu .

2025年3月27日 · Jing Hao is a key figure in the evolution of ink landscape painting. He combined the line drawing of Wu Daozi in the Tang Dynasty with Xiang Rong's ink-splashing technique to expand his ability to describe landscapes.

2022年1月20日 · 籍贯 河内沁水（今山西沁水） 代表作品 《匡庐图》

The Jing Hao (荊浩) Forum, founded by the Art Discovery Institute, is an online academic journal focusing on the introduction and study of Chinese mountain-and-river (shan shui) paintings from the Tang Dynasty through the Southern Song Dynasty, …

Jing Hao was a Chinese landscape painter and art theorist of the Five Dynasties and Ten Kingdoms period in Northern China. As an artist, he is often cited along with his...

English: Jing Hao (, also known as Hongguzi) (c. 855-915) was a Chinese landscape painter and theorist of the Five Dynasties and Ten Kingdoms Period in Northern China. As an artist, he is often cited along with his pupil, Guan Tong , as one of the most critical figures in the development of the style of monumental landscape painting which ...

Jing Hao’s Bifaji Neo-Confucianism, Li Zehou and Utterly Unique Sensuous Existence. Jing Hao’s Notes on Brushwork (Bifaji) describes two principles: vital energy (qi) and resonance (yun). How to uphold them? Li Zehou helps us: he interprets Jing Hao and the complementarity of Confucianism and Daoism. However, Li Zehou also makes that puzzling.