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Eileen Cowin
The third image shows her again peering through the blind, this time in close-up, and the fourth presents what is apparently the object of vision: a man branded with the stripe pattern of the Venetian blind, rummaging through an unmade bed. While Cowin’s earlier, domestic photographs focused on the terrors of familial intimacy, these new ...
Eileen Cowin - Wikipedia
Eileen Cowin (born 1947) is a Los Angeles–based artist known for photography, video and mixed-media installations that draw on the language of mass media and art history and explore the relationship between narrative, fiction and non-fiction, memory and experience.
Eileen Cowin
Her characters and props are limited, like the sparsely staged productions of a small theatrical acting troupe. Particular objects and environments are repeated such as tables, telephones, beds, and certain rooms of a home. Romance and struggles within familial boundaries recur, and intruders or alter egos occasionally materialize.
Still (and All): Eileen Cowin, Work 1971–1998
2000年11月16日 · Nationally recognized for her large-scale photographic diptychs and triptychs which feature isolated figures engaged in open ended narrative situations, Eileen Cowin: Still (and All) Work 1971–1998 covers almost two decades of work and includes two video installations, as well as earlier, more intimate works.
Eileen Cowin - Artillery Magazine
There is no knock, actual or symbolic, in Summons; a woman’s head emerges from a void, flanked by expanses of ultramarine bed-linen. The voice is internal, the subject’s own (and, as in Knock, unheard by the viewer: words and actions are given in subtitles).
Santa Monica - Los Angeles Times
1989年4月7日 · From grade-B thrillers she has distilled a small vocabulary of pose, dress and circumstantial evidence (an unmade bed, a crumpled paper) to create familiar stock characters (killer, detective,...
Eileen Cowin - MoMA
Eileen Cowin. American, born 1947. Works 1 work online Eileen Cowin. Landmines (praying mantis) 1994. Exhibition Unique/Multiples: Sculpture/Photos. Dec 2, 1972–Jan 15, 1973. MoMA. Publication Our Selves: Photographs by Women Artists Edited by Roxana Marcoci, 2022 Exhibition catalogue, Hardcover, 152 pages ...
Telling Them Apart: Eileen Cowin and Jonesy - UCR ARTS
Telling Them Apart is structured as a call-and-response, with Cowin’s photographs from the 1980s serving as the reference point for new bodies of work by the two artists. Cowin’s early photographs inform a new multi-part photo installation and video work by Jonesy that surveys the genres of film noir and erotic thrillers while slyly ...
Telling Them Apart Conversation and Screening - UCR ARTS
Telling Them Apart: Eileen Cowin and Jonesy. Join us for a conversation with artists Eileen Cowin and Jonesy and curator David Evans Frantz, moderated by Andy Campbell as well as a screening of short films created by Cowin and Jonesy.