
Tobias and the Angel (Verrocchio) - Wikipedia
Tobias and the Angel is a painting in egg tempera on poplar panel, finished around 1470–1475, measuring 83.6 × 66 cm. [1] It is painting by the Italian Renaissance painter Andrea del …
安德烈·德尔·韦罗基奥 - 维基百科,自由的百科全书
安德烈·德尔·韦罗基奥( Andrea del Verrocchio ,義大利語發音: [anˈdrɛːa del verˈrɔkkjo] ;又译委罗基奥;约1435年—1488年),原名安德烈·迪·米凯莱·迪·弗朗切斯科·德·乔尼( Andrea di …
Andrea del Verrocchio - Wikipedia
Andrea del Verrocchio (/ v ə ˈ r oʊ k i oʊ / və-ROH-kee-oh, [1] [2] US also /-ˈ r ɔː k-/- RAW-, [3] Italian: [anˈdrɛːa del verˈrɔkkjo]; born Andrea di Michele di Francesco de' Cioni; c. 1435 – …
Andrea del Verrocchio: A Closer Look - National Gallery of Art
Verrocchio’s sculptures are distinguished by an exceptional dynamism, with expressive figures that reward viewing from multiple angles. Trained as a goldsmith, he attained consummate …
Workshop of Andrea del Verrocchio | Tobias and the Angel
Workshop of Andrea del Verrocchio, Tobias and the Angel, about 1470-5. Read about this painting, learn the key facts and zoom in to discover more.
Verrocchio: Sculptor and Painter of Renaissance Florence
Verrocchio in 1476 won the commission for a multifigure marble project for the Cathedral of Pistoia (near Florence) by submitting a design, possibly this relief. It shows Christ enthroned …
Andrea del Verrocchio, multitalented painter and sculptor
The Terracotta Angels remain as a sculpture by Andrea del Verrocchio. An artist who has been overshadowed by his famous pupil, Leonardo da Vinci, Andrea del Verrocchio is one of the …
Tobias and the Angel by Andrea del Verrocchio - The History of …
2023年10月14日 · Dating from 1475, Tobias and the Angel is the work of the well-known Renaissance painter, Andrea del Verrocchio. It depicts a scene from the canonical Book of …
The National Gallery Masterpiece Tour: Workshop of Verrocchio
2022年12月2日 · Workshop of Andrea del Verrocchio, 'Saint Tobias with the Angel', about 1470–5
The Virgin and Child with Two Angels - Andrea del Verrocchio — …
Verrocchio trained as a goldsmith and has used real gold leaf, such as on the fringe of the left angel’s sleeve, and yellow paint, for example on the Virgin’s sleeves, to recreate the effect of...