The Threepenny Opera [a] (Die Dreigroschenoper [diː dʁaɪˈɡʁɔʃn̩ˌʔoːpɐ]) is a 1928 German "play with music" by Bertolt Brecht, adapted from a translation by Elisabeth Hauptmann of John Gay's 18th-century English ballad opera, The Beggar's Opera, [1] and four ballads by François Villon, with music by Kurt Weill. Although there is ...

《三毛钱歌剧》是由贝托尔特·布莱希特(Brecht)作词、库尔特·韦尔(Weill)作曲、，它取材自1721年英国人约翰·盖伊的剧作《乞丐歌剧》(The Beggar's Opera)，讲述了20年代伦敦一个强盗头子和乞丐王女儿有情人终成眷属的曲折故事，被誉为童话般的轻歌剧。

The Threepenny Opera, musical drama in three acts written by Bertolt Brecht in collaboration with composer Kurt Weill, produced in German as Die Dreigroschenoper in 1928 and published the following year. The play was adapted by Elisabeth Hauptmann from …

The Threepenny Opera is a biting satire of the post-war rise of capitalism, wrapped up in Weill's jazzy score, and the tale of Macheath (Mack the Knife), a debonair crime lord on the verge of turning his illegal empire into a legitimate business. When Macheath marries young Polly Peachum, her father is enraged.

Murderous antihero Mackie Messer (a.k.a. Mack the Knife) slashes through Victorian London in The Threepenny Opera, Bertolt Brecht’s scandalous satire that electrified Weimar-era German audiences 400 times in just two years after its 1928 debut.

Murderous antihero Mackie Messer (a.k.a. Mack the Knife) slashes through Victorian London in The Threepenny Opera, Bertolt Brecht’s scandalous satire that electrified Weimar-era German audiences 400 times in just two years after its 1928 debut.

A short summary of Bertolt Bretcht's The Threepenny Opera. This free synopsis covers all the crucial plot points of The Threepenny Opera.

The Threepenny Opera, written by German playwright Bertolt Brecht with music by Kurt Weill, is a play that provides a biting critique of capitalism and the bourgeoisie. The show, which premiered in Berlin in 1928, is a reimagining of John Gay’s 18th-century ballad opera The Beggar’s Opera.

Following its premiere in Berlin in 1928, The Threepenny Opera was an overnight phenomenon. Written by Bertolt Brecht and Elisabeth Hauptmann with music by Kurt Weill, it was a gamechanger for the genre of music theatre.

THREEPENNY is an audacious reimagining of The Threepenny Opera, written by Leah Plante-Wiener with a new translation by Benjamin Viertel and Nate Weida. This adaptation brings Brecht and Weill’s timeless critique of capitalism into the present day, delivering a modern, hilarious, and brutally honest performance.