Pianist Marc-André Hamelin (pictured, photograph by Sim Cannety-Clarke) gave a recital full of contrasts at Herbst Theatre last night at SF Performances. His playing is technically superb, very fluid, ...

By Matt Bell Our columnist reviews three new horror books out this month. By Gabino Iglesias ...

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Our columnist on four standout releases. By Alida Becker Suggested reading from critics and editors at The New York Times. The narrator of Ada Calhoun’s autofictional “Crush” strives towar ...

Our experts have tested over 80 kits to bring you this guide to the best electronic drum kits available today - the guide also includes full reviews, buying advice, video and audio demos The world of ...

As the face of Cheap Monday, Barrett’s style at her Boston performance encapsulated her music’s unique self-expression with a bold edge. Throughout her performance, the projections behind her ...

Join former prosecutor Andy McCarthy as he delves into the legal ins and outs of the latest Washington dramas with National Review editor in chief Rich Lowry. Capital Record – your weekly ...

The MPS-850 boasts an array of features, many of which punch impressively above its relatively low price point. We’ll delve ...

Some ballets, like The Rite of Spring, turn up on concert programs so frequently that it can be hard to imagine experiencing them in a theater. Gabriela Ortiz seems to have taken that reality to heart ...

A meditation on our National Anthem, NJS players performed “Can You See?” during their first public performance (outdoors, at the Newark Museum of Art’s garden) after the COVID-19 lockdown.